Navigation bar
  Start Previous page
 98 of 106 
Next page End 93 94 95 96 97 98 99 100 101 102 103  

23552
Ìàðê Ð. Óèëêèíñ, Êðèñ Êàçìèåð, "Maya: ïðîãðàììèðîâàíèå íà MEL"
ÊÓÄÈÖ-Îáðàç | ISBN 5933780979, 1558608419 | 2004 ãîä | PDF | 17,24 Mb | 480
ñòðàíèö[cut]
Êíèãà ïîäðîáíî ðàñêðûâàåò áîãàòûå âîçìîæíîñòè, êîòîðûå ïðåäîñòàâëÿþòñÿ
àíèìàòîðàì ïðè èñïîëüçîâàíèè MEL - âñòðîåííîãî â Ìàóà ÿçûêà ïðîãðàììèðîâàíèÿ.
ßâëÿÿñü èñ÷åðïûâàþùèì ðóêîâîäñòâîì ïî MEL, êíèãà ñíàáæåíà áîëüøèì êîëè÷åñòâîì
ïðàêòè÷åñêèõ ïðèìåðîâ, êîòîðûå ïîäðîáíî èëëþñòðèðóþò èçëàãàåìûé ìàòåðèàë. Âû
íàó÷èòå ñîçäàâàòü ïðîäâèíóòûå ïîëüçîâàòåëüñêèå èíòåðôåéñû, ñèñòåìû óïðàâëåíèÿ
ïåðñîíàæàìè, óçíàåòå ìåòîäû ðàçðàáîòêè ïåðåíîñèìûõ ñöåíàðèåâ. Èçó÷èâ
ñîäåðæàùèéñÿ â êíèãå ìàòåðèàë, âû ñìîæåòå áîëåå òîíêî óïðàâëÿòü îáúåêòàìè ñöåíû,
çàäàâàòü èì ñëîæèì ìîäåëè ïîâåäåíèÿ è âçàèìîäåéñòâèÿ ñ äðóãèìè îáúåêòàìè. Åñëè
âû ìå÷òàåòå îáóçäàòü âñþ ñêðûòóþ ìîùü Ìàóà, - ýòà êíèãà äëÿ âàñ.
Password: www.AvaxHome.ru
Roff Smith, "Life on the Ice: No One Goes to Antarctica Alone"
National Geographic | ISBN 0792293452 | 2005 Year | linked PNG-files | 15,75 Mb
| 224 Pages[cut]
Bicycling outside Melbourne, Australia, Smith decided to resurrect a childhood
dream of traveling to Antarctica. After receiving a writer's grant permitting a
seven-week visit, Smith quit his newspaper job, landed a freelance gig with
Time, and headed south. Way south to Mawson, one of four year-round bases. What
follows is a magical description of Mawson's last days (the base was to be shut
down, with a new, huge complex opening nearby). Smith witnesses the final run of
a geriatric sled dog team, the very last time dogs would be used in Antarctica,
and the base handover ceremony. The trip had faded to a pleasant memory when the
author was asked by National Geographic if he would like to spend the summer
traveling all around Antarctica--visiting bases and field camps, the South Pole,
even spending five weeks on a yacht exploring the Antarctic Peninsula. Smith is
the most exceptional of travel writers: his portraits of people are deeply
sympathetic, while his language is at once lyrical and knowledgeable. Not to be
missed.
Password: www.AvaxHome.ru
23556
Äåííè Ðèääåëë, "Maya 5 äëÿ Windows è Macintosh"
ÄÌÊ ïðåññ | ISBN  5940742556, 0321219201 | 2004 ãîä | PDF | 18,85 Mb | 480
ñòðàíèö[cut]
Maya 5.0 - íàèáîëåå ìîùíàÿ è óäîáíàÿ ïðîãðàììà òðåõìåðíîé ãðàôèêè, ïîçâîëÿþùàÿ
êîíñòðóèðîâàòü ñëîæíåéøèå ìîäåëè è ñîçäàâàòü ðåàëèñòè÷íóþ àíèìàöèþ. Äàííàÿ êíèãà
â ïîëíîì îáúåìå ñîäåðæèò èíôîðìàöèþ, íåîáõîäèìóþ äëÿ îñâîåíèÿ ýòîãî óíèêàëüíîãî
ïàêåòà: îïèñàíèå ýëåìåíòîâ èíòåðôåéñà, ïðèåìîâ ìîäåëèðîâàíèÿ è àíèìàöèè,
ñîçäàíèÿ ìàòåðèàëîâ è ñïåöýôôåêòîâ. Îñîáîå âíèìàíèå óäåëÿåòñÿ íàñòðîéêå
îñâåùåíèÿ è âûïîëíåíèþ âèçóàëèçàöèè ñ èñïîëüçîâàíèåì ðàçëè÷íûõ ìîäóëåé. Êðîìå
òîãî, ïîäðîáíî ðàññìàòðèâàåòñÿ òàêàÿ ñëîæíàÿ èèíòåðåñíàÿ òåìà, êàê ñîçäàíèå
ýôôåêòîâ æèäêîñòè.
Êíèãà ïðåäíàçíà÷åíà äëÿ íà÷èíàþùèõ ïîëüçîâàòåëåé. Òåîðåòè÷åñêèé ìàòåðèàë ñíàáæåí
îãðîìíûì êîëè÷åñòâîì ïðèìåðîâ, ÷òî ïîçâîëÿåò ðåêîìåíäîâàòü íàñòîÿùåå èçäàíèå â
êà÷åñòâå ñïðàâî÷íîãî ïîñîáèÿ.
Password: www.AvaxHome.ru
23559
Clayton R. Paul, "Introduction to Electromagnetic Compatibility" (2nd edition)
Wiley-Interscience | ISBN 0471755001 | 2006 Year | PDF | 7,24 Mb | 1013
Pages[cut]
A Landmark text thoroughly updated As digital devices continue to be produced at
increasingly lower costs and with higher speeds, the need for effective
electromagnetic compatibility (EMC) design practices has become more critical
than ever to avoid unnecessary costs in bringing products into compliance with
governmental regulations. The Second Edition of this landmark text has been
thoroughly updated and revised to reflect these major developments that affect
both academia and the electronics industry.
Password: www.AvaxHome.ru
23583
Rick Miller, "C++ For Artists: The Art, Philosophy, And Science Of Object-
Oriented Programming"
Pulp Free Press | ISBN 1932504028 | 2004 Year | CHM | 20,41 Mb | 646 Pages[cut]
C++ For Artists The Art, Philosophy, and Science of Object-Oriented Programming
takes a refreshing and sometimes controversial approach to the complex topic of
object-oriented programming and the C++ language.
Preface
Part I - The C++ Student Survival Guide
Chapter 1 - An Approach To The Art Of Programming
Chapter 2 - Small Victories—Creating Projects With IDE’s
Chapter 3 - Project Walkthrough—An Extended Example
Chapter 4 - Computers, Programs, & Algorithms
Part II - C++ Language
Chapter 5 - Simple Programs
Chapter 6 - Controlling The Flow Of Program Execution
Chapter 7 - Pointers and References
Chapter 8 - Arrays
Chapter 9 - Functions
Chapter 10 - Toward Problem Abstraction—Creating New Data Types
Chapter 11 - Dissecting Classes
Chapter 12 - Compositional Design
Chapter 13 - Extending Class Functionality Through Inheritance
Part III - Implementing Polymorphic Behavior
Chapter 14 - Ad Hoc Polymorphism—Operator Overloading
Chapter 15 - Static Polymorphism—Templates
Chapter 16 - Dynamic Polymorphism—Object-Oriented Programming
Part IV - Intermediate
Chapter 17 - Well-Behaved Objects—The Orthodox Canonical Class Form
Chapter 18 - Mixed Language Programming
Chapter 19 - Three Design Principles
Chapter 20 - Using A UML Modeling Tool
Appendix A - Project Approach Strategy Checkoff List
Appendix B - ASCII Table
Appendix C - Answers To Self Test Questions
Index
List of Figures
List of Tables
List of Examples
Password: www.AvaxHome.ru
23585
Brenda Denzler, "The Lure of the Edge: Scientific Passions, Religious Beliefs,
and the Pursuit of UFO's"
University of California Press | ISBN 0520224329 | 2001 Year | linked PNG-files
| 23,62 Mb | 295 Pages[cut]
Sociologist Denzler presents a deeply researched history of "ufology" (the study
and interpretation of UFO phenomena), illuminating what has become a significant
American subculture. From the flying saucer sightings of the postwar years to
the alien abduction boom of the 1990s, interest in UFOs has persisted despite
official discouragement from government, scientific and religious authorities.
Denzler takes a special interest in ufology's uneasy relationship with both
science and religion, noting that although UFO phenomena seem to invite
scientific and/or religious explanation, their anomalous and sometimes bizarre
nature has excluded them from the mainstream. In the meantime, communities of
ufologists and experiencers have gone their own way, some pursuing scientific
rigor despite being dismissed as pseudoscientists, others promoting their own
religious interpretations reflecting both Christian and New Age themes. Drawing
on her experiences as a participant-observer in ufological groups and
conventions, Denzler renders a sympathetic portrait of the UFO subculture
without directly identifying with it, and reveals intramural tensions that other
commentators have missed. Because Denzler focuses on the UFO community, broader
social attitudes about UFOs are only a secondary interest: ufological subject
matter in pop culture is virtually ignored. The book's academic style and
copious citations make for a dense read at times, and the professionally
impartial tone may not appeal to committed UFO believers or debunkers. But
readers looking for skillful reportage and deft theorizing about "the UFO myth"
(a term Denzler uses non-pejoratively), or a starting point for further academic
research, should find it worthwhile.
Password: www.AvaxHome.ru
23586
Ñ.Â.Áîíäàðåíêî, Ì.Þ.Áîíäàðåíêî, "Ïëàãèíû äëÿ 3ds MAX â ïðèìåðàõ"
ÊîìÁóê | ISBN 5947400103 | 2004 ãîä | PDF | 62 Mb | 608 ñòðàíèö[cut]
 êíèãå ðàññêàçûâàåòñÿ î ðàáîòå ñ ïðîãðàììîé 3ds max, êîòîðàÿ èñïîëüçóåòñÿ ïðè
ðàçðàáîòêå êîìïüþòåðíûõ èãð è äëÿ àðõèòåêòóðíîé âèçóàëèçàöèè.
Ïðîñòîå ìîäåëèðîâàíèå ñëîæíûõ îáúåêòîâ. Âèçóàëèçàöèÿ ýôôåêòîâ. Îáðàáîòêà
èçîáðàæåíèé. Ïðèìåðû "ñîçäàíèÿ âîäû". Ïóøèñòûé ëåñ, ëþáûå ïðè÷åñêè è äð.
Ïðåäíàçíà÷åíà äëÿ 3D-ðåäàêòîðîâ.
Previous page Top Next page